Artist Spotlight: Musical Director Michael Forman

I’ve said often that Merce is a family. Some people in the company are like my favorite cousins, some more like crazy Aunt Melba who forgets to take her medicine. Bless her heart.

While most family members are new, I’ve been friends with co-producer and Merce’s Mama Tyne Firmin for 25 years. We met as cater waiters. (Tragic, to be sure, but I have a host of friends I met that way. And Tyne still works there!) I’ve been friends with Andre Daquigan, who plays the scheming Marvello, for 28 years. Andre and I met when we were students together at the American Musical and Dramatic Academy. That’s some long-ass family, yo!

But Michael wins. Michael Forman has been a member of my family the longest of anyone in the company of Merce. We’ve been friends for 29 years, since we first met as chorus boys in a production of Guys and Dolls at Musical Theater of Arizona. In one scene, I distinctly remember Michael as a dancing Cuban waiter. It’s burned in my memory.

The Guys and Dolls guys. I'm kneeling in the front (r), and Michael is standing far right, next to the guy doing Fiddler on the Roof.

The Guys and Dolls guys. I’m kneeling in the front (left), and Michael Forman is standing behind me, third row, far left, next to the guy doing Fiddler on the Roof.

Actually, Michael and I didn’t really get along when we first met. We had a prickly relationship, and not in the fun way. It wasn’t until we were both in New York that our friendship really began. I was directing this little cabaret revue (which Tyne happened to be involved in) and needed a musical director. An adorable co-worker, Paul McCullough, recommended his boyfriend, “but you don’t like him,” he said. It was Michael. The show was in desperate need of a musical director, so I swallowed my pride and gave him a call. Michael and I had a coffee and put our prickly feelings behind us. He musical directed the show and we’ve been dear friends ever since.

Michael Forman was bit by the musical theater bug (The venomous Merman flea, I call it), when he was in the 7th grade in Wilmette, IL. “It was called Silver Screen and my starring moment was as Inspector Jacques Clouseau.” He went on to a fantastic high school which had an amazing theater program, and Michael played piano for his first production, Anything Goes, at 15.

His family then moved to Scottsdale, AZ (lucky for me, otherwise we might never have met). “I was too big for my britches living in AZ.” After his life-changing experience of meeting me in G & D (and going to Arizona State for two years), he had to move to NY.

He studied musical theater performance at AMDA, then decided to move away from performing, and studied composition at the Mannes College of Music of The New School. He then was offered a musical direction job, which led to a lot of regional theater and the national tour of Annie and The Best Little Whorehouse in Texas.

Michael went on to have a successful music studio, coaching professional singer/actors, both celebrities and aspiring young artists. He also took jobs in academia including being a musical theater performance teacher at The Yale Graduate School of Drama. “Watching my students/clients go on to achieve their dreams, do the Broadway thing, and find their way to the red carpet at the Tony Awards still gives me happy tears.”

And then Merce. Michael likes to say that he was honored to be asked to be involved in the project. The truth is, I kidnapped him. I didn’t even ask if he’d be interested in musical directing, I just said, “oh by the way, rehearsals start Monday and here’s the score.” Poor guy didn’t know what he was in for. Drag queens, Dominatrix/Life coaches and fairies, oh my!

But he’s a pro. Truth is, the Merce music recordings wouldn’t have any of the sparkle or panache they have without Michael’s guiding hand. He took Kenny Kruper’s amazing songs and made each singer in the cast sound like a million bucks. Even me. (For proof, just go to www.MerceTV.com and listen to the trailer with your eyes closed. The company sounds amazing!)

The fantastically talented and dear Michael Forman, conducting Merce in the recording studio.

The fantastically talented and dear Michael Forman, conducting Merce in the recording studio.

“I’m incredibly pleased with the work all of the artists in the project that I got to collaborate with,” Michael said. “Merce is a remarkable combination of intelligent writing and includes drama, comedy, musical theater fantasies and romance. It’s never been done before, and I believe people will flock to it.”

Michael went on, “I’m am thrilled to help kick the AIDS stigma by being involved in Merce. I believe that whether it’s theater or film or TV, there is a duty to educate people about society and the world. Love should not be hindered by stigma.

You said it, Michael. So grateful to have you as part of Merce‘s family, and part of my own.

And just to be clear: Michael is part awesome cousin, part crazy Aunt Melba. I wouldn’t have it any other way.

Besos,

Charles

P.S. Michael is not just anti-HIV stigma, he’s also against stigma for other conditions, most importantly depression and mental illness. Much work yet needs to be done to fully understand the breadth and scope of prejudice against people with mental illnesses. For more information, visit Project Helping.

 

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